From Matilda by Roald Dahl and Quentin Blake
Music and lyrics by Tim Minchin
Book by Dennis Kelly
Directed by Matthew Warchus
Designed by Rob Howell
Orchestration by Christopher Nightingale
Choreography by Peter Darling
Starring Marika Aubrey, Daniel Frederiksen, Elise McCann, James Millar and Annabella Cowley (this performance) as Matilda
Crown Theatre Perth
On sale until May 7
One day, on some blasted heath or in the throat of some volcano, when the final battle between ancient evil and beleaguered humanity is fought, our champions will be a small guy with a ring, a young bloke with a wand and a little girl with books.
It’s going to be tough, but things are going to work out just fine.
The world loves a hero, and when she is little, and feisty, and just a little bit naughty, we love her to bits.
And have done since 1988, when Roald Dahl and his illustrator Quentin Blake put the little girl with a bit of magic about her into a book, and called her, and it, Matilda.
She’s seen the world since then, in print, on radio, on stage and in film, and made pretty much every post a winner. Never more so than her latest manifestation, in the stage musical that’s presently in residence at the Crown Theatre.
If Matilda were a filly, she would be a thoroughbred. By the prolific stage writer Dennis Kelly and the meteoric comedian and songwriter Tim Minchin out of The Royal Shakespeare Company (whose other hits include Hamlet, King Lear, Othello, Les Mis and Macbeth) and director Matthew Warchus, now at the helm of of the Old Vic Theatre, her bloodlines are to die for.
Of course it’s conquered everywhere and won everything, and it will run on all the best tracks, probably forever.
And now Minchin, the quintessential boy made good, has brought her home to meet the folks (drinking white wine in the sun, no doubt).
But does it deserve all this adulation? Are the Matildas (tonight it’s Annabella Cowley, for all the world like an even younger Hermione Granger) as pugnacious and precocious, is Miss Trunchbull (James Millar) as hammerthrowingly horrible, is Jenny Honey (Elise McCann) as sweet and Mrs Phelps (Cle Morgan) as emphatic, the Wormwoods (Marika Aubrey and Daniel Frederiksen) as ignorant and gormless, and Rudolpho (Travis Kahn) and Sergei (Stephen Anderson) as Continentally disreputable as we imagined?
Are the kids in the ensemble zinningly zesty? Have Kelly and Warchus done Dahl’s book proud? Are Rob Howell’s alphabet soup set and Famous Five costumes up to Blake’s scratch?
And do Tim Minchin’s songs move us and shake us? Is Miracle as miraculous and Naughty as nice? Does he spell the School Song correct and Smell Rebellion proper? Are they Quiet and Revolting? Are they Here, in the House, all Grown Up?
Well, you sticky-fingered little snotgoblins, yes they are, yes they do, and yes it is.
(Oh, and tell Tim’s mum her boy and his mates can have all the stars they want.)